40 Years of James Bond: The Fruits of the Sexual Revolution
by Paul van der Bijl
| |
Printer-Friendly Version |
 |
|
Paul van der Bijl is New Media Manager for The Center for
Bioethics and Culture. |
|
Post Date:
April 7, 2003 |
No one debates that with the introduction of the
contraceptive pill in 1960 significant cultural changes were set in
motion--the most obvious being the beginning of the sexual revolution
exemplified in the separation of sexuality from reproduction. In his book
Life, Liberty and the Defense of Dignity, Leon Kass, Chair of The
President's Council on Bioethics, despairs that we are already on our way to
establishing the "brave new world" Aldous Huxley envisioned in 1932--a world
where sexuality is bereft of love and completely homogenized. At first read
his statements seem a bit dramatic, but I think his arguments are truly
compelling and disturbing. Kass observes: "Thanks to the sexual revolution,
we have been able to deny in practice, and increasingly in thought, the
inherent procreative meaning of sexuality itself. But if sex has no intrinsic
connection to generating babies, babies need have no necessary connection to
sex."
You don't have to look far within popular culture to see this
view of sexuality. It's no coincidence that 1962 brought the first of the now
20 James Bond films. With the introduction of saucy European films and Hugh
Hefner's Playboy magazine, the entrance of James Bond was a perfect fit for
America's new ideals. Bond was unencumbered by romance or obligation; he was
simply a sensualist with the good fortune to run into gorgeous women equally
interested in sex for its own sake. Agent 007 was the icon of the sexual
revolution, the embodiment of sexual freedom. Now, I admit, I like a good
action movie, even ones shy on content which most of the Bond movies are.
They're eye candy. The super-spy agent 007 shoots and sneaks his way out of
every imaginable squeeze, all the while kissing the girls and saving the
world. (And did I mention he gets all the girls, at least two to three a
movie?) Some argue Bond is the classic misogynist, but in the context of the
60's I would argue that the Bond women in their own right are empowered icons
of the sexual revolution. Their sexuality is a tool for manipulation,
seduction, and power. For our culture this was sex at its best--mutually
detached and free of consequences. The most recent Bond film, Die Another
Day, fits neatly into the 60's Bond mold, but not all of the movies have
viewed sex so casually. Interestingly enough, in the mid-80's when AIDS was a
relatively new threat and promiscuity fell out of favor, Bond's 007 checked
his ardor for two movies and had only one girl. But, alas, this was
short-lived, and by the 90's "safe sex" had agent 007 back to his old
philandering ways.
More recently, though, in the wake of a growing cultural tide
of educational STD campaigns and "Just Say No" motifs, the latest Bond films
(particularly the most recent) seem out of place. Why does our culture
tolerate this 60's free-sex ideal? I would argue, beyond the obvious fact
that being Bond will always be a male fantasy, that our culture's desire to
separate sex from reproduction is the constant here. Within our culture
people will differ on their views of STD's and how to handle the AIDS
epidemic. The "Right" will promote abstinence policies, the "Left" will
uphold sex education and free access to contraception, but both sides will
quietly assent to the slow inexorable separation of sexuality and
reproduction. As we perhaps near the birth of the first human clone, the
separation of sex and reproduction begun in 1960 is approaching its startling
completion. Kass notes, "For this new dispensation [the culture upholding
such a separation], the clone is the ideal emblem...."
It's easy to wink and nod at the sexual innuendo in a Bond
movie, although even then we ought to ask ourselves how sexuality has become
such a humorous and lightly held topic. But we can't wink and nod anymore as
we face great societal shifts in attitude regarding the meaning of sexuality.
Unless people speak out, James Bond will always hold the day. CBHD
|
Printer- Friendly
Version |
|
Copyright 2003 by The Center for Bioethics and Human
Dignity
The contents of this article do not necessarily reflect the opinions of
CBHD, its staff, board or supporters. Permission to reprint granted as long as The Center for Bioethics and
Human Dignity and the web address for this article is referenced.
This article originally appeared in the Winter 2003 issue of
Dignity.
|
|